"The Incomer," directed by Louis Paxton, presents a delightful, if occasionally saccharine, narrative set against the dramatic backdrop of a secluded Scottish island. The story centers on two isolated siblings, Isla, portrayed with remarkable depth by Gayle Rankin, and her brother Sandy, played by a captivating Grant O'Rourke. They have spent over thirty years on this remote isle, deliberately avoiding the outside world after their parents' passing, convinced by their late, abusive father that the mainland is a harsh and unwelcoming place. Despite their prolonged isolation, their appearance and demeanor are surprisingly refined, not reflecting the wild existence one might expect. However, their peculiar rituals, such as performing ceremonies in elaborate bird costumes, serve to underscore their detachment from mainstream society. Adding a mystical touch, the film weaves in local legends, including an enigmatic man-seal who periodically appears to Isla, trying to deter her from both the water, which she fears, and the notion of a life beyond the island's shores.
The narrative gains momentum with the introduction of Daniel, a government employee portrayed by the soulful Domhnall Gleeson. Daniel is burdened by a mundane job and a demanding boss, leading a life that, ironically, makes the siblings' isolated existence seem preferable. His mission is to bring Isla and Sandy back to the mainland, as they are deemed to be residing illegally. However, the siblings have a history of successfully thwarting previous attempts to remove them, setting the stage for Daniel's challenging endeavor. Predictably, Daniel, Isla, and Sandy soon develop a profound connection, leading Daniel to question the ethical implications of his assignment. Despite its somewhat clumsy beginning, the film gradually establishes a wonderful rhythm, making the interactions among the trio a genuine pleasure to behold. The humor, though at times excessively whimsical, is redeemed by the endearing nature of the characters, delivering genuinely funny moments, such as Sandy's enthusiastic reaction to tasting a banana for the first time. The film also delicately explores the emotional desires of Isla and Sandy as they both develop romantic feelings for Daniel, subtly competing for his affection. Daniel's charming persona and storytelling abilities, including his playful pretense of being the author of "The Lord of the Rings," add a layer of delightful running humor to the film.
Ultimately, "The Incomer" transcends a simple narrative about relocation, evolving into a poignant exploration of the significance of familial bonds, companionship, and the formation of community. It serves as a gentle yet powerful reminder that governmental entities are fundamentally tasked with serving and supporting their populace. Following a humorous encounter with mainland bureaucracy and a new, comically villainous "incomer" employing absurd survival strategies, Isla and Sandy receive a profoundly gratifying conclusion. While perhaps too perfectly resolved for real-world standards, the film offers a heartwarming escape, providing a beautiful and hopeful cinematic experience. It underscores the idea that sometimes, cinema's true magic lies in its ability to transport us away from the harsh realities of life, offering stories that uplift and inspire.